MASEREEL

For Hibernus #2, Jacqueline Peeters ventured into screen-printing for the first time. Max Beckmann’s “Sommer”, which is known by various titles, including “Liebespaar”, served as the muse for her prints.

The multifaceted nature of Beckmann’s creation, teeming with myriad interpretations, gave rise to its diverse titles. Peeters translated this complexity into her prints, encompassing all the titles associated with the original artwork, meticulously inscribed within her creations. However, true to her artistic style, Peeters takes intriguing side journeys alongside her Beckmann-inspired work. Introducing a new title, “Le Paramour Imaginaire,” she also presents numbered editions as a nod to her Unsold Paintings and prints that poignantly reflect the tumultuous events of the war in Gaza.

Peeters crafted both an edition and a handful of unique monotypes, each a testament to her artistry’s evolution and depth.

This piece is part of the edition and was developed within the framework of Hibernus #2.