MASEREEL

Pélagie Gbaguidi approaches printmaking as a poetic and political medium, working with the symbolic qualities of lithographic limestone. For Hibernus#1, she created lithographs addressing the global hunger issue, which she reframes as a matter of power rather than poverty. The stone serves as a metaphor for the distribution of resources and becomes, through the printing process, a vessel of collective memory.

The work seeks to spark a debate on hunger as a shared physical experience and on the traces left by global power dynamics. It exists in three versions: black-and-white, with red accents, and with gold accents.

This edition was developed within the framework of Hibernus #1.